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Margot Loyola
Margot Loyola Palacios (September 15, 1918 – August 3, 2015) was a musician, folk singer and researcher of the folklore of Chile and Latin America in general.
Loyola was active as a musician and musical ethnographer/anthropologist for many decades. She published a large body of work dealing with musical styles, folk music and customs of all Chilean regions as well as other South American countries. She also taught music.〔
==Early career==
Loyola was born in Linares, Chile in 1918. She studied piano with Rosita Renard and Elisa Gayán at the National Conservatory of Music of Chile, and studied song with Blanca Hauser. In 1952 she immersed herself in researching the typical Peruvian dances and musical forms, the ''marinera'' and the ''resbalosa''. This allowed her to study the origins of these dances and to characterize the simililarities between the Peruvian and Chilean ones (''resfalosa'' and ''cueca''). Subsequently, she worked with Porfirio Vásquez, the patriarch of black music in Peru, and then went on to study the indigenous culture of Peru with José Maria Arguedas.
Later, Loyola studied Argentine and Uruguayan traditional and folk music, with Carlos Vega and Lauro Ayestarán, respectively. In 1952, she began her celebrated research on the ceremonial dances of the Chilean north, with Rogelia Perez and other musicians and groups. Loyola researched the folklore and traditional musical styles of all the regions of Chile as well as Easter Island (a Chilean province, located in the south Pacific Ocean). She compiled and published a great deal of valuable material obtained from her scholarly research and was regarded as an artist and researcher of great authority. Among the art expressions she researched, some were virtually rescued from oblivion and extinction by her work.
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